SK∞ the Infinity
Director (監督): Hiroko Utsumi
SK∞ the Infinity is Hiroku Utsumi’s third directorial projects and second since leaving Animation Do. While Free! was a sequel to the High Speed! novels from Kyoto Animation’s KA Esuma Bunko imprin and Banana Fish was a modern adaption of the influential 1980s manga, SK∞ is a wholly original story, granting Utsumi more creative freedom. The story follows two teenagers, including a snowboarder from Canada, participating in dangerous skateboarding races.
Utsumi was a regular contributor to a number of Kyoto Animation projects – including Clannad, K-On!, and Tamako Market – before getting the chance to helm a series on her own. Since leaving Animation Do, Utsumi has been freelance, mostly working on Bones and MAPPA projects. Continue reading “Female TV Anime Directors Winter 2021”
Special thanks to ultimatemegax for reviewing and adding to my data for this subject.
Back in October, we took a look at the Fall 2013 season of anime to get a general idea of the gender inequality among enshutsu, or episode director, roles across the industry. In that season, across all companies, just 10 percent of episodes were directed by women. As one of many follow-ups to that project, we’re focusing on Kyoto Animation. Known for its earlier success with many popular series like Clannad and K-On!, and its modern business practice of being the primary financier of its many series, Kyoto Animation has also developed a reputation of having many women on its staff. At the series director level, Naoko Yamada has become a mainstay of the company. Hiroko Utsumi was tagged to direct the very popular Free! TV series. After leaving the company, Noriko Takao also became a series and movie director with her years of experience at the company. However, this project focuses on enshutsu, a level down from the series director role, but also a likely step for the many who could become a series director. If Kyoto animation is among the better animation companies for hiring women, then that should translate at the enshutsu level as well.
Continue reading “Enshutsu: Kyoto Animation”
As an addendum to the previous post, and to really illustrate a point of how unusual 2013 was, here is a brief list of female director debuts, excluding assistant directors. Continue reading “Addendum: Female TV Director Debuts 2011-2016”
With an ever-increasing amount of anime getting made each year, so had the number of directors. And with that increase, even more female animators have been given opportunities to direct anime. In 2011, only four series had women directing anime in a lead or series role, including two seasons of Sekai-Ichi Hatsukoi directed by Chiaki Kon. In 2013 the pool increased to 16. Since that year, at least ten series has been directed by women each year. These trends follow when you exclude anime shorts and only look at full-length episode TV series, as well as when looking at just Otaku TV series. However women did direct a sizable chunk of anime shorts.
Continue reading “Female Anime Directors 2011-2016”