Enshutsu: A-1 Pictures

がんばって!Previously, we looked at the Fall 2013 season of anime and the history of Kyoto Animation.

Whereas Kyoto Animation is known for it’s in-house production practices, A-1 Pictures is known for being the exact opposite: its productions are comprised nearly entirely of freelancers. Their website itself only lists producers, CG directors, composite directors, and color designers on its staff page. However, the nature of hiring freelancers is still dependent on relationships, and the A-1 rolodex calls on the same names regularly.

A-1 Pictures has also served as a small locus of opportunities for women to direct anime series, including Kotomi Deai, Yumi Kamakura, and former Kyoto Animation staff Noriko Takao. Miyuki Kuroki is also set to co-direct The Idolm@ster Side M anime in the fall. Women have also been hired to direct films with Takao’s Saint Young Men and Shoko Nakamura’s Doukyuusei. Additionally, a number of women have been hired to work as assistant directors on a number of TV series, theoretically preparing them to helm a series on their own (a list that includes Kuroki and Deai). While A-1 Pictures has a relatively extreme (and potentially varied) production model with its nearly pure freelance hiring, the studios has been comparatively willing to hire on more women to direct its projects.

Continue reading “Enshutsu: A-1 Pictures”

Enshutsu: Kyoto Animation

tamakocount

Special thanks to ultimatemegax for reviewing and adding to my data for this subject.

Back in October, we took a look at the Fall 2013 season of anime to get a general idea of the gender inequality among enshutsu, or episode director, roles across the industry. In that season, across all companies, just 10 percent of episodes were directed by women. As one of many follow-ups to that project, we’re focusing on Kyoto Animation. Known for its earlier success with many popular series like Clannad and K-On!, and its modern business practice of being the primary financier of its many series, Kyoto Animation has also developed a reputation of having many women on its staff. At the series director level, Naoko Yamada has become a mainstay of the company. Hiroko Utsumi was tagged to direct the very popular Free! TV series. After leaving the company, Noriko Takao also became a series and movie director with her years of experience at the company. However, this project focuses on enshutsu, a level down from the series director role, but also a likely step for the many who could become a series director. If Kyoto animation is among the better animation companies for hiring women, then that should translate at the enshutsu level as well.

Continue reading “Enshutsu: Kyoto Animation”

Addendum: Female TV Director Debuts 2011-2016

As an addendum to the previous post, and to really illustrate a point of how unusual 2013 was, here is a brief list of female director debuts, excluding assistant directors.  Continue reading “Addendum: Female TV Director Debuts 2011-2016”

Female Anime Directors 2011-2016

femaledirectors2011-2016

With an ever-increasing amount of anime getting made each year, so had the number of directors. And with that increase, even more female animators have been given opportunities to direct anime. In 2011, only four series had women directing anime in a lead or series role, including two seasons of Sekai-Ichi Hatsukoi directed by Chiaki Kon. In 2013 the pool increased to 16. Since that year, at least ten series has been directed by women each year. These trends follow when you exclude anime shorts and only look at full-length episode TV series, as well as when looking at just Otaku TV series. However women did direct a sizable chunk of anime shorts.
Continue reading “Female Anime Directors 2011-2016”